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Henry Cavill ("Man of Steel") stars as Napoleon Solo opposite Armie Hammer ("The Social Network") as Illya Kuryakin in director Guy Ritchie's "The Man from U.N.C.L.E.," a fresh take on the hugely popular 1960s television series. Set against the backdrop of the early 1960s, at the height of the Cold War, "The Man from U.N.C.L.E." centers on CIA agent Solo and KGB agent Kuryakin. Forced to put aside longstanding hostilities, the two team up on a joint mission to stop a mysterious international criminal organization, which is bent on destabilizing the fragile balance of power through the proliferation of nuclear weapons and technology. The duo's only lead is the daughter of a vanished German scientist, who is the key to infiltrating the criminal organization, and they must race against time to find him and prevent a worldwide catastrophe. "The Man from U.N.C.L.E" also stars Alicia Vikander ("Anna Karenina"), Elizabeth Debicki ("The Great Gatsby"), with Jared Harris ("Sherlock Holmes: Game of Shadows"), and Hugh Grant as Waverly. The screenplay was written by Guy Ritchie & Lionel Wigram, who previously collaborated on re-imagining the classic detective Sherlock Holmes in two hit films. The story is by Jeff Kleeman & David Campbell Wilson and Guy Ritchie & Lionel Wigram, based on the television series "The Man from U.N.C.L.E." John Davis ("Chronicle"), Steve Clark-Hall ("RocknRolla," the "Sherlock Holmes" films), Wigram and Ritchie produced the film, with David Dobkin serving as executive producer. Ritchie's behind-the-scenes creative team included two-time Oscar (R)-nominated director of photography John Mathieson ("The Phantom of the Opera," "Gladiator"), production designer Oliver Scholl ("Jumper," "Edge of Tomorrow"), editor James Herbert (the "Sherlock Holmes" films, "Edge of Tomorrow"), and Oscar (R)-nominated costume designer Joanna Johnston ("Lincoln"). The music is composed by Daniel Pemberton ("The Counselor").(c) Warner Bros

About The Man From U.n.c.l.e.

Artist : Henry Cavill, Armie Hammer, Alicia Vikander, Elizabeth Debicki, Luca Calvani
As : Solo, Illya, Gaby, Victoria, Alexander
Title : The Man From U.n.c.l.e. Ver Pelicula Online Gratis
Release date : 2015-08-14
Movie Code : 1638355
Duration : 116
Category : Action, Adventure, Comedy


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Todd McCarthy Comment The Man From UncleName : Todd McCarthy / Alias : Hollywood Reporter
It's not bad but not quite good enough either.
Dave Calhoun Comment The Man From UncleName : Dave Calhoun / Alias : Time Out
U.N.C.L.E. has enough style and smarts to make it an amusingly louche summer movie: a cultivated mix of action and wit, suits and cities.
Michael Granberry Comment The Man From UncleName : Michael Granberry / Alias : Dallas Morning News
It's got all the ingredients - improbable romances, partial nudity, ridiculous escapes - that make it little more than big-sound and big-picture fodder for the Imax screens it will appear on throughout the country.
Ty Burr Comment The Man From UncleName : Ty Burr / Alias : Boston Globe
"Man" is a celebration of a time when secret agents dressed impeccably, bantered with style, and had exceptionally cool toys. That the movie is almost instantly forgettable is part of the pleasure.
Alonso Duralde Comment The Man From UncleName : Alonso Duralde / Alias : TheWrap
With brisk pacing, and a cast this attractive parading the kinds of fashions that will remind you how much you miss Mad Men, most of the movie boasts a Mod crispness.
Wesley Morris Comment The Man From UncleName : Wesley Morris / Alias : Grantland
Exactly no one was asking for this. So it's a surprise to discover that the bar for this movie is low enough to conga under.
Peter Howell Comment The Man From UncleName : Peter Howell / Alias : Toronto Star
This is like an Austin Powers movie directed by Wes Anderson, although Ritchie's personal style is very much in evidence.
Anthony Lane Comment The Man From UncleName : Anthony Lane / Alias : New Yorker
As for Cavill, let us just say that the line between phlegmatic suavity and downright dullness is rather more easily breached than the Berlin Wall.
Manohla Dargis Comment The Man From UncleName : Manohla Dargis / Alias : New York Times
Guy Ritchie makes the kind of enjoyably disreputable movies that are fun to watch until they're not.
Bill Goodykoontz Comment The Man From UncleName : Bill Goodykoontz / Alias : Arizona Republic
It almost works. Actually, it does work, hitting the requisite number of hip notes. It just doesn't dazzle, and that's kind of a surprise.
Lindsey Bahr Comment The Man From UncleName : Lindsey Bahr / Alias : Associated Press
Alas, the movie doesn't fulfil the tease of the opening sequence. From there it devolves into a series of revelations with diminishing returns.
Joe Neumaier Comment The Man From UncleName : Joe Neumaier / Alias : New York Daily News
It's slow, lethargic, utterly lacking in charm and undeserving of the Cold War setting that is its best trait.
Peter Debruge Comment The Man From UncleName : Peter Debruge / Alias : Variety
An unusually restrained Guy Ritchie serves up solid entertainment with a classy touch, but bland leads and no-sizzle chemistry make this slick '60s TV adaptation forgettable.
Kyle Smith Comment The Man From UncleName : Kyle Smith / Alias : New York Post
Cavill's Solo, and the movie, are aggressively quippy, which is what happens when screenwriters set out to be funny but give up when they're halfway there.
Richard Roeper Comment The Man From UncleName : Richard Roeper / Alias : Chicago Sun-Times
The Man from U.N.C.L.E. plays like a lower key, vintage edition of a Mission: Impossible movie. It's a good movie with a great look.
David Edelstein Comment The Man From UncleName : David Edelstein / Alias : New York Magazine/Vulture
It's breezy and elegant - so breezily elegant it can make you laugh out loud from frame to frame.
Stephen Whitty Comment The Man From UncleName : Stephen Whitty / Alias : Newark Star-Ledger
Holding out for a fun summer film? Resist no longer. Just say "U.N.C.L.E."
Mick LaSalle Comment The Man From UncleName : Mick LaSalle / Alias : San Francisco Chronicle
Ritchie is a director with no instinct for the audience, and he can't hold things together for an entire film. He seems at a loss, from moment to moment, as to what he should emphasize.
Brian Truitt Comment The Man From UncleName : Brian Truitt / Alias : USA Today
The Cold War returns full force on the big screen, though by the end of The Man from U.N.C.L.E., you might want to put it back in the fridge.
Mark Olsen Comment The Man From UncleName : Mark Olsen / Alias : Los Angeles Times
It all winds up feeling hollow and even slightly oppressive, an enforced sense of fun jabbed within quotation marks. It aims for a silky lightness of touch but lands like a dropped slab of concrete.
Steven Rea Comment The Man From UncleName : Steven Rea / Alias : Philadelphia Inquirer
A lot of energy and effort has gone into this endeavor, and I can't say some of it's not fun. But more of it, alas, is just tedious.
Adam Graham Comment The Man From UncleName : Adam Graham / Alias : Detroit News
While it looks good - Ritchie has always been a slick visual stylist - it's ultimately as passive as an old rerun.
J. R. Jones Comment The Man From UncleName : J. R. Jones / Alias : Chicago Reader
Whose idea was it to make a cold war thriller for a generation that doesn't know what the cold war was?
Michael O'Sullivan Comment The Man From UncleName : Michael O'Sullivan / Alias : Washington Post
The threat that this mess of a movie might be followed by a sequel is enough to make anyone cry uncle.
Chris Nashawaty Comment The Man From UncleName : Chris Nashawaty / Alias : Entertainment Weekly
Long on style but short on substance, Guy Ritchie's ring-a-ding-ding Cold War spy thriller attempts to resurrect a mothballed '60s TV series the way that Mission: Impossible did. It doesn't work this time.
Nathalie Atkinson Comment The Man From UncleName : Nathalie Atkinson / Alias : Globe and Mail
Mesmerizing and clever, but more style than substance.
Michael Phillips Comment The Man From UncleName : Michael Phillips / Alias : Chicago Tribune
Composer Daniel Pemberton's evocations of early '60s "danger" music respect the period, which is more than can be said for Ritchie's hatchet-style of staging and editing.
Stephanie Zacharek Comment The Man From UncleName : Stephanie Zacharek / Alias : Village Voice
Though it's made with lots of modern tricks and technology, it's old-fashioned in the best sense, and not just because it's set in the Sixties.
Chris Klimek Comment The Man From UncleName : Chris Klimek / Alias : NPR
What substance it has could be dissolved in a shot glass. But so what?
James Berardinelli Comment The Man From UncleName : James Berardinelli / Alias : ReelViews
This is one of those rare instances when a sequel wouldn't just be warranted - it would be welcomed.
Rafer Guzman Comment The Man From UncleName : Rafer Guzman / Alias : Newsday
Not an update of the old TV show but a revival, with dazzling sets, period outfits and wonderfully implausible action. It's an Atomic Age blast.
Soren Anderson Comment The Man From UncleName : Soren Anderson / Alias : Seattle Times
The picture is quite clever and light on its feet.
Jesse Hassenger Comment The Man From UncleName : Jesse Hassenger / Alias : AV Club
The Man From U.N.C.L.E. feels fun even when it lacks a particular reason for existing.
Calvin Wilson Comment The Man From UncleName : Calvin Wilson / Alias : St. Louis Post-Dispatch
This is a movie whose charm sneaks up on you, like a spy in the night.
Peter Travers Comment The Man From UncleName : Peter Travers / Alias : Rolling Stone
a moldy 1960s TV series that comes to the screen with no Mission: Impossible update or makeover. That's right - it's still moldy. But in a way that's escapist, retro fun.


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Based on true events, Argo chronicles the life-or-death covert operation to rescue six Americans, which unfolded behind the scenes of the Iran hostage crisis-the truth of which was unknown by the public for decades. On November 4, 1979, as the Iranian revolution reaches its boiling point, militants storm the U.S. embassy in Tehran, taking 52 Americans hostage. But, in the midst of the chaos, six Americans manage to slip away and find refuge in the home of the Canadian ambassador. Knowing it is only a matter of time before the six are found out and likely killed, a CIA "exfiltration" specialist named Tony Mendez (Ben Affleck) comes up with a risky plan to get them safely out of the country. A plan so incredible, it could only happen in the movies. - (C) Warner Bros.

About Argo

Artist : Ben Affleck, Bryan Cranston, Alan Arkin, John Goodman
As : Tony Mendez, Jack ODonnell, Lester Siegel,
Title : Argo Volledige Film In Czech Ondertitels
Release date : 2012-10-12
Movie Code : 1024648
Duration : 120
Category : Drama, Thriller


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Roger Ebert Comment ArgoName : Roger Ebert / Alias : Chicago Sun-Times
Both spellbinding and surprisingly funny.
Tom Long Comment ArgoName : Tom Long / Alias : Detroit News
It may not have a lot beyond its outrageous story, but the story is undeniably a doozy, and the movie is a blast.
Peter Rainer Comment ArgoName : Peter Rainer / Alias : Christian Science Monitor
The movieland satire is laid on thick, but it's also deadly accurate. Schlock has never seemed so patriotic, and Arkin and Goodman have rarely been so good.
Chris Vognar Comment ArgoName : Chris Vognar / Alias : Dallas Morning News
A tone-perfect hybrid of insider show-biz spoof and tense spy thriller.
Colin Covert Comment ArgoName : Colin Covert / Alias : Minneapolis Star Tribune
An impressive mix of serious suspense filmmaking and ironic, mood-lightening humor. And it has the added distinction of being mostly true, based on a declassified CIA operation.
Leah Rozen Comment ArgoName : Leah Rozen / Alias : TheWrap
Let's just say that the movie's final section is so nail-bitingly tense, thanks to a skillful combination of acting, writing and crosscutting, that it puts Affleck in the big leagues as a director.
Manohla Dargis Comment ArgoName : Manohla Dargis / Alias : New York Times
In the end, this is a story about outwitting rather than killing the enemy, making it a homage to actual intelligence and an example of the same.
Keith Phipps Comment ArgoName : Keith Phipps / Alias : AV Club
The film glides skillfully from the perilous front lines of international espionage to the lower reaches of show business and back again, quietly drawing parallels between worlds in which appearances are everything.
Rafer Guzman Comment ArgoName : Rafer Guzman / Alias : Newsday
It's a well-told story that's timely, topical and thoroughly entertaining.
Liam Lacey Comment ArgoName : Liam Lacey / Alias : Globe and Mail
Argo is a movie of many parts, the sum of which can probably be best described as enjoyable Hollywood hokum.
Randy Myers Comment ArgoName : Randy Myers / Alias : San Jose Mercury News
Affleck captures not just the way we looked and acted during this era, but vividly brings history to life.
Owen Gleiberman Comment ArgoName : Owen Gleiberman / Alias : Entertainment Weekly
Argo is never less than wildly entertaining, but a major part of its power is that it so ominously captures the kickoff to the world we're in now.
Bob Mondello Comment ArgoName : Bob Mondello / Alias : NPR
The script is snappy, but the real accomplishment here is how Affleck, who both stars in and directs Argo, manages to segue from Ocean's 11-style repartee to pulse-pounding tension and back again.
Joe Neumaier Comment ArgoName : Joe Neumaier / Alias : New York Daily News
An entertaining, real-life, race-the-clock thriller that nabs you at the start and never makes a wrong move.
David Thomson Comment ArgoName : David Thomson / Alias : The New Republic
Entertaining and suspenseful in old-fashioned ways.
Andrew O'Hehir Comment ArgoName : Andrew O'Hehir / Alias : Salon.com
With America's tormented relationship with Iran back on the global front burner, "Argo" is also a crafty, reflective mood piece that will leave you thinking about the resounding echoes of that tormented and not-so-distant era.
Ann Hornaday Comment ArgoName : Ann Hornaday / Alias : Washington Post
It's serious and substantive, an ingeniously written and executed drama fashioned from a fascinating, little-known chapter of recent history.
Moira MacDonald Comment ArgoName : Moira MacDonald / Alias : Seattle Times
"Argo" is both an inspiring tale of risk and heroism, and a crackling piece of entertainment.
Laremy Legel Comment ArgoName : Laremy Legel / Alias : Film.com
Kudos to Ben Affleck, actor and director, for delivering a vital and thrilling political actioner.
Steven Rea Comment ArgoName : Steven Rea / Alias : Philadelphia Inquirer
It's high-class Hollywood, not the low-rent and exploitative route that the make-believe movie at the heart of this tale would have taken.
Joe Morgenstern Comment ArgoName : Joe Morgenstern / Alias : Wall Street Journal
"Argo" exults in what a movie can do when its story has a compelling core.
Glenn Kenny Comment ArgoName : Glenn Kenny / Alias : MSN Movies
"'Argo' is quite a satisfactory impossible mission indeed."
Richard Roeper Comment ArgoName : Richard Roeper / Alias : Richard Roeper.com
'Argo' is one of the best movies of the year.
Peter Debruge Comment ArgoName : Peter Debruge / Alias : Variety
White-knuckle tense and less self-congratulatory than it sounds, Ben Affleck's unexpectedly comedic third feature has the vital elements to delight adult auds.
Claudia Puig Comment ArgoName : Claudia Puig / Alias : USA Today
Fusing suspense and humor in a political thriller is a tricky prospect, but Argo is more than up to the task.
Lisa Kennedy Comment ArgoName : Lisa Kennedy / Alias : Denver Post
Argo has that solid, kick-the-tires feel of those studio films from the 70s that were about something but also entertained. Only it's as laugh outright amusing as it is sobering.
David Edelstein Comment ArgoName : David Edelstein / Alias : New York Magazine/Vulture
A marvel of cunning, an irresistible blend of cool realism and Hollywood hokum.
Stephen Whitty Comment ArgoName : Stephen Whitty / Alias : Newark Star-Ledger
If nothing else, it proves that every so often, the CIA can pull something off - and that yes, Canadians are just about the nicest people on the planet.
Peter Howell Comment ArgoName : Peter Howell / Alias : Toronto Star
The film is a whopper of a tale, one designed for Oscar nominations, Best Picture and Best Director among them.
Peter Travers Comment ArgoName : Peter Travers / Alias : Rolling Stone
Ben Affleck doesn't merely direct Argo, he directs the hell out of it, nailing the quickening pace, the wayward humor, the nerve-frying suspense. There's no doubt he's crafted one of the best movies of the year.
Rex Reed Comment ArgoName : Rex Reed / Alias : New York Observer
Argo is a triumph. It has tension, sincerity, mystery, artistic responsibility, entertainment value, technical expertise, a narrative arc and a thrilling respect for the tradition of how to tell a story with minimum frills and maximum impact.
Joshua Rothkopf Comment ArgoName : Joshua Rothkopf / Alias : Time Out New York
Out in the audience, you never shake the feeling-partly intentional-that Argo itself is swaddled in a kind of phony ersatzness.
Tom Huddleston Comment ArgoName : Tom Huddleston / Alias : Time Out
For 100 minutes, 'Argo' is close to flawless.
Anthony Lane Comment ArgoName : Anthony Lane / Alias : New Yorker
Clever, taut, and restrained.
J. R. Jones Comment ArgoName : J. R. Jones / Alias : Chicago Reader
Fact-based but politically cautious.
Dana Stevens Comment ArgoName : Dana Stevens / Alias : Slate
Argo is a rollicking yarn, easily the most cohesive and technically accomplished of Affleck's three films so far, but a part of me wishes the director hadn't cast himself in the lead role.
Wesley Morris Comment ArgoName : Wesley Morris / Alias : Boston Globe
[Affleck's] ambition for the thriller has gone international, it's gone important, but, crucially, not self-important.
Christy Lemire Comment ArgoName : Christy Lemire / Alias : Associated Press
While steeped in the trends and filmmaking style of the decade, "Argo" still feels immediate and relevant. Affleck's best film yet is also one of the best films of the year.
Amy Biancolli Comment ArgoName : Amy Biancolli / Alias : San Francisco Chronicle
Even though most people know the outcome, this movie still will have you on the edge of your seat.
Bill Goodykoontz Comment ArgoName : Bill Goodykoontz / Alias : Arizona Republic
It re-creates the mood of an era, a nation's frustration and anger, all while rollicking along with a crackling adventure.
James Berardinelli Comment ArgoName : James Berardinelli / Alias : ReelViews
A lot of movies take us back to the late '70s/early '80s, but few have done it so forcefully and with so little application of kitsch.
Richard Corliss Comment ArgoName : Richard Corliss / Alias : TIME Magazine
Argo is just so-so.
Michael Phillips Comment ArgoName : Michael Phillips / Alias : Chicago Tribune
The propulsive hostage thriller "Argo," the third feature directed by Ben Affleck, just plain works.
Robert Philpot Comment ArgoName : Robert Philpot / Alias : Fort Worth Star-Telegram/DFW.com
With Affleck's continued growth as a director, it makes you want to see what he will deliver next.
Kenneth Turan Comment ArgoName : Kenneth Turan / Alias : Los Angeles Times
Affleck easily orchestrates this complex film with 120 speaking parts as it moves from inside-the-Beltway espionage thriller to inside Hollywood dark comedy to gripping international hostage drama, all without missing a step.
Karina Longworth Comment ArgoName : Karina Longworth / Alias : Village Voice
It's an embodiment of the kind of quality adult film that really shouldn't be an endangered species, and a love letter from Affleck to the industry that made him, shunned him, and loves nothing more than to be loved.
Lou Lumenick Comment ArgoName : Lou Lumenick / Alias : New York Post
If you didn't know otherwise, you'd swear this was the work of a veteran master like Steven Soderbergh.
Tom Charity Comment ArgoName : Tom Charity / Alias : CNN.com
Affleck himself turns in a quietly impressive movie star performance. Tony Mendez is a kind of anti-Bourne, comfortable with his anonymity, living off his wits, not his fists.
Rene Rodriguez Comment ArgoName : Rene Rodriguez / Alias : Miami Herald
The movie is accomplished enough to stand alongside the 1970s political thrillers that inspired it, right down to the vintage red-and-black Warner Bros. logo that opens the film.
Joe Williams Comment ArgoName : Joe Williams / Alias : St. Louis Post-Dispatch
Before he was a Middle Eastern studies major, Ben Affleck dreamed of directing a movie that mattered. "Argo" is his dream come true.


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